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“March is a month of promises made
but not notarized . . .” ![]() |
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![]() ![]() ![]() ![]() Like so many other things, orchids have become disposable commodities. Last month I read an article on orchids in a gardening Q&A that advised “enjoy the plant while it is in flower, and then give it to an orchid enthusiast and get something different. Repeat indefinitely.” Know any “orchid enthusiasts” who would cheerfully take in your indifferently treated orchids, nurse them back to health with daily care, and then wait a year hoping they will reflower? I don’t. Q&A’s advice is code for “toss the orchid in the trash and pick up a fresh one at the supermarket.” Once again the formal hedge of privets (Ligustrum ibolium) on the north end of the formal rose garden has been severely trimmed. The hedge was last cut in March four years ago. I thought the hedge would never grow back. It did though. Last summer it looked just fine tall and full. So it will again. For now though, this rejuvenating cut looks like a bad haircut. ![]() ![]() ![]() Orchid shows are staples of many botanical gardens. They bring in visitors during this dull time between the end of the holiday displays and the beginning of the spring blooming season. The orchid shows at the larger botanical gardens don’t just display orchids, they put their orchids in a setting with some out-of-the-ordinary theme meant to intrigue visitors and then draw them in. Designers and artists also use the theme to dream up exotic buildings and fantastical settings as sets for the orchids. For its show this year the New York Botanical Garden displayed its orchids “against the magical backdrop of Singapore, one of the great orchid centers of the world.” The centerpiece of the show was a two-story pagoda dripping with orchids. At the Atlanta Botanical Garden the theme was “Gargoyles and Grace.” There orchids were draped in, on, and around antique whimsical statues, fountains, vases, and architectural ornaments. At this botanical garden the theme this year is “Storybook Classics.” Here the orchids are scattered in and around sets meant to represent children’s stories such as Peter Rabbit, the Secret Garden, and Jack and the Bean Stock. The oleanders left to winter over in the Ottoman Garden are presumed dead. All three of them were dug up sometime last week and taken away. One of the oleanders had been planted in a container inside the Ottoman Garden. There other two were just outside the gate in an place sheltered on three sides. The Oleanders were double whites (or maybe double yellows?): varieties that have a reputation of being able to stand up to winter. These didn’t, at least on top. I wonder though if the trees had been allowed to stay, would their roots have sent up new sprouts? ![]() ![]() ![]() Some of the pieces for the Niki de Saint Phalle sculpture exhibit that opens in late April have arrived. Inside the exhibit hall between the two glasshouses, some crates are being opened and unpacked. Still resting on bubble wrap is a black figure that looks like a spider or maybe a scorpion. Perhaps to make it more friendly looking, Niki painted a bright red heart on its torso. With the opposite message, one of the show’s stagers clipped this hand-written this message to the barrier belt that surrounded the creature. ![]() ![]() ![]() ![]() This morning for the first time I was aware of the lengthening days. Instead of being dark when I got out of bed at 6:30, there was plenty of pre-dawn light. I saw the sunrise from my bedroom window instead of from my car on the way to the botanical garden. A exhibit of curvaceous, playful sculptures of French sculptor Niki de Saint Phalle (1930 2002) is the next blockbuster show coming to this botanical garden. Two years ago the glass installations of Dale Chihuly were here. Last summer the Garden displayed the stone sculptures of the Shona artists of Zimbabwe. This year, Saint Phalle’s fantastical creations will arrive. Most of the thirty-odd pieces to be shown here will likely come from Garfield Park in Chicago where I saw the show last summer. I think the Saint Phalle sculptures will show even better here. At Garfield Park the pieces were divided between ones shown in conservatory and those displayed outdoors. The inside pieces were tucked imaginatively into greenery, fountains, and ponds where they seemed right at home. Outside through, many of the pieces were placed cheek by jowl in a semi-circle at the far edge of an open field. No shade. No cover. And, a long walk. Interesting and colorful as the pieces were, I felt as though I was in an outdoor museum as I moved from one piece to another. The art and the setting never touched. This botanical garden has more space, more trees, and more landscaped breathing places to absorb and intermingle with the delights that the Niki pieces offer. ![]() ![]() Within the last couple of years, this botanical garden has planted an impressive collection of witch hazels. They have been blooming fairly continuously, albeit inconspicuously, throughout the fall and winter. Now though begins the showy blooming season of the hybrid varieties the Hamamelis x intermedia. All of these main season witch hazels are a cross between a Japanese and a Chinese parent. (Perhaps a first in international relations). I like the crosses because they have more flowers, larger flowers, and come in a range of colors from pale yellow to the dusky red. Like roses though, some of the crosses have had their fragrance bred out of them. Lots of the intermedia are in full bloom this morning: the red ‘Diane,’ the washed to vibrant yellows of ‘Arnold Promise,’ ‘Primavera,’ and ‘Sunburst,’ and the coppery to oranges of ‘Jelena,’ and ‘Orange Peal.” ![]() ![]() |
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